on a musical bender
Sep. 18th, 2009 10:47 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Move along, folks, nothing to see here.
I apparently have gone on a musical bender lately. I mean, the year leading up to suddenly conceiving Never After, I was always going through my own collection of musicals - probably about 70 at the time? - hungry for something to sing with. And while writing the script, and while the production has come together, I've been obsessing (not quietly) over my favorites, which my household has patiently tolerated. (The biggest unexpected side benefit of my very weird therapy? an improved singing voice, which I feel delighted and almost compelled to play with.)
But for the last month or two, musicals have been the mainstay of my listening. (And I listen to a LOT of music, peeps. I'd guess I've got upwards of 1600 CDs, but who knows?) And now I've finally tuckered out my poor old collection, and am abruptly scrounging for anything new that catches my attention. swapacd, lala, and used Amazon can hardly contain my interest.
In the last few weeks, I've acquired
- William Finn's A New Brain, which is by turns gorgeous, hilarious, brilliant, and heart-wrenching on a first listen. The man almost almost died of a brain tumor, and came back to life with a musical about the experience. One song, "Heart and Music," made me yearn to be writing another, right now.
- Bat Boy, which is the only thing I've ever heard that is clearly influenced by Little Shop of Horrors. It is the most fucked-up thing I've heard in years, and as you might imagine, I loves me some Ashman-and-Menken-influenced fuckupedness.
- Titanic, which I'd avoided for years because I thought it had something to do with That Movie, but which, surprise! is more like Ragtime in its scope and themes.
- Will Rogers Follies, a piece of fluff I liked in college, when I was probably the only person ever to investigate the library's collection of musicals. (The librarian loved me for it. I liked her so much, I wrote her as a lesbian librarian who incidentally saves the world in Infinite Monkeys.)
- Groovelily's Sleeping Beauty Wakes. To my joy, it has a song by the bad fairy in the tale. In another eight days, people will be hearing my bad fairy song.
- Wearing Someone Else's Clothes, a compilation by The New Hot Thing on Broadway, Jason Robert Brown.
- The soundtrack to Across the Universe, the movie using Beatles songs as a musical to tell a story wound up in events of the time.
- Mandy Patinkin Sings Sondheim, which is really pretty much all I could ask it to be.
I know, about seven of you like musicals, and only two of you are reading anymore. Ah well. I get that to most people, "musical" means Sound of Music or Lion King or something. To me, it means a unique way of telling a story, with its own rules and its own brilliant ways of breaking them. I love it as many people do photography - for its means of finding connection, communicating on many levels. Plus I get to sing with it!
I apparently have gone on a musical bender lately. I mean, the year leading up to suddenly conceiving Never After, I was always going through my own collection of musicals - probably about 70 at the time? - hungry for something to sing with. And while writing the script, and while the production has come together, I've been obsessing (not quietly) over my favorites, which my household has patiently tolerated. (The biggest unexpected side benefit of my very weird therapy? an improved singing voice, which I feel delighted and almost compelled to play with.)
But for the last month or two, musicals have been the mainstay of my listening. (And I listen to a LOT of music, peeps. I'd guess I've got upwards of 1600 CDs, but who knows?) And now I've finally tuckered out my poor old collection, and am abruptly scrounging for anything new that catches my attention. swapacd, lala, and used Amazon can hardly contain my interest.
In the last few weeks, I've acquired
- William Finn's A New Brain, which is by turns gorgeous, hilarious, brilliant, and heart-wrenching on a first listen. The man almost almost died of a brain tumor, and came back to life with a musical about the experience. One song, "Heart and Music," made me yearn to be writing another, right now.
- Bat Boy, which is the only thing I've ever heard that is clearly influenced by Little Shop of Horrors. It is the most fucked-up thing I've heard in years, and as you might imagine, I loves me some Ashman-and-Menken-influenced fuckupedness.
- Titanic, which I'd avoided for years because I thought it had something to do with That Movie, but which, surprise! is more like Ragtime in its scope and themes.
- Will Rogers Follies, a piece of fluff I liked in college, when I was probably the only person ever to investigate the library's collection of musicals. (The librarian loved me for it. I liked her so much, I wrote her as a lesbian librarian who incidentally saves the world in Infinite Monkeys.)
- Groovelily's Sleeping Beauty Wakes. To my joy, it has a song by the bad fairy in the tale. In another eight days, people will be hearing my bad fairy song.
- Wearing Someone Else's Clothes, a compilation by The New Hot Thing on Broadway, Jason Robert Brown.
- The soundtrack to Across the Universe, the movie using Beatles songs as a musical to tell a story wound up in events of the time.
- Mandy Patinkin Sings Sondheim, which is really pretty much all I could ask it to be.
I know, about seven of you like musicals, and only two of you are reading anymore. Ah well. I get that to most people, "musical" means Sound of Music or Lion King or something. To me, it means a unique way of telling a story, with its own rules and its own brilliant ways of breaking them. I love it as many people do photography - for its means of finding connection, communicating on many levels. Plus I get to sing with it!
no subject
Date: 2009-09-18 02:56 pm (UTC)Follies is great. Lyric stage put on a performance of it last year which I got to see...I loved it. It didn't hurt that I was sitting in the front row. ;-) I bought it years ago, and for a little while I hated a couple songs ("Loveland", for instance) until I suddenly realized that it was purely snarky. Then I thought it was awesome.
no subject
Date: 2009-09-18 03:06 pm (UTC)Yeah, Follies is fluffy snark. Perhaps I should bring snarky musicals to your massages...
no subject
Date: 2009-09-18 03:56 pm (UTC)no subject
Date: 2009-09-18 03:00 pm (UTC)but i'm also not that versed in them and i'm positive you've got all the ones i'm familiar with already.
(although i will give my usual shout-out mad love to "city of angels". the musical, not that goddamned movie.)
no subject
Date: 2009-09-18 03:04 pm (UTC)But I suspect you're much more familiar with some musicals than I am, given that I've never been part of performing any.
no subject
Date: 2009-09-18 03:08 pm (UTC)no subject
Date: 2009-09-18 03:06 pm (UTC)I'm hawkishly keeping an eye out for Floyd Collins, an extremely obscure but beautiful americana musical, to be performed anywhere nearby so I can drag all of my friends.
Also, the recent Tony winner In the Heights is a fantastic musical, and its soundtrack has been one of my common playlists lately.
no subject
Date: 2009-09-19 01:07 am (UTC)no subject
Date: 2009-09-18 03:36 pm (UTC)no subject
Date: 2009-09-19 01:02 am (UTC)no subject
Date: 2009-09-19 07:07 am (UTC)no subject
Date: 2009-09-18 05:01 pm (UTC)no subject
Date: 2009-09-18 07:20 pm (UTC)no subject
Date: 2009-09-18 07:52 pm (UTC)no subject
Date: 2009-09-19 01:00 am (UTC)Left to my own devices, I'd avoid something entitled "Legally Blonde: The Musical." :P But if you vouch for it, I'll take a listen...
no subject
Date: 2009-09-25 10:54 pm (UTC)Anyways, I'm having a wonderful time with "Never After" and love chatting about musicals...my experience with them is either deep or broad, depending on the show, but rarely both. :)
no subject
Date: 2009-09-26 12:46 am (UTC)Glad you're enjoying the production! Thanks for lending your talents to the show!